{"id":61,"date":"2014-08-14T08:10:06","date_gmt":"2014-08-14T08:10:06","guid":{"rendered":"http:\/\/www.mrplusfm.net\/myNewNet\/?page_id=61"},"modified":"2020-06-19T10:45:56","modified_gmt":"2020-06-19T09:45:56","slug":"mawson-raffalt","status":"publish","type":"page","link":"https:\/\/www.mrplusfm.net\/?page_id=61","title":{"rendered":"mawson-raffalt<\/span>"},"content":{"rendered":"

Ursula Mawson-Raffalt  1964-   Artistic Director_Performance   ) + ( = aO<\/b><\/p>\n

 <\/p>\n

\"ursula2\"<\/a>
\ninvented and developed the “FOCUS-POINT TECHNIQUE” 1989<\/span>,  a composition and training method for body, voice and spatial organisation with the primary aim of (re)establishing dance as a major artform<\/p>\n

Since 1989, writes, composes, directs, constructs & choreographs works for space_sound_word pictures_dance, entitled“CHAMBERWORKS” or “PERFORMANCE_INSTALLATION”<\/span><\/p>\n

writes and performs texts in the form of LYRICAL PROSE<\/span> and MONOLOGUES<\/span> in both English and German which are also conceptually integrated<\/p>\n

as fundamental elements for the construction of the composition and the sound carpet<\/span><\/p>\n

studied Dance at the conservatory<\/span> in Vienna  at SNDO<\/span> in Amsterdam  and at the Academy of the Arts\/EDDC<\/span> in Arnhem<\/p>\n

“chamberworks”<\/span> the title which the artist gives her work represents also the “Leitmotiv” of her work and through the context of private performance (chamberworks) its  significance is effectively doubled.<\/p>\n

Emphasis is given to the intimacy of locus, artist \/ performer and audience<\/span>. Within this frame a slow, silent, but vital affinity with history in terms of space and time\u009d begins manifested as a form of (art) happening.<\/p>\n

…. “innumerable fields of innumerable images” are, layer by layer revealed  to form a “bridge of communication between herself and the audience…..”.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ursula Mawson-Raffalt  1964-   Artistic Director_Performance   ) + ( = aO   invented and developed the “FOCUS-POINT TECHNIQUE” 1989,  a composition and training method for body, voice and spatial organisation with the primary aim of (re)establishing dance as a major artform Since 1989, writes, composes, directs, constructs & choreographs works for space_sound_word pictures_dance, entitled“CHAMBERWORKS” or “PERFORMANCE_INSTALLATION” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-61","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=\/wp\/v2\/pages\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=61"}],"version-history":[{"count":0,"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=\/wp\/v2\/pages\/61\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.mrplusfm.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}